Away for some time
Daily posts will resume end of July
Till then parties...
& work...
Current
Dolphin
Ebersb9
Upcoming
Baer Ridgway
BNR 07/09
.
Away from OFFICE
.
Away for some time
Daily posts will resume end of July
Till then parties...
& work...
Current
Dolphin
Ebersb9
Upcoming
Baer Ridgway
BNR 07/09
.
Away for some time
Daily posts will resume end of July
Till then parties...
& work...
Current
Dolphin
Ebersb9
Upcoming
Baer Ridgway
BNR 07/09
.
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I Will Not Facebook
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A one day performance inspired by Tehching Hsieh's one year performance 1985-86
By Brion Nuda Rosch
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A one day performance inspired by Tehching Hsieh's one year performance 1985-86
By Brion Nuda Rosch
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Brendan Lott
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"These works began as an attempt to bring my practice in line with my life as a person living in 21st century America - wholly mediated, isolated, digital and decentralized and devoid of manual labor or craft. I have no direct input into the development or manufacture of any product I consume. I think this is wonderful. So I finally abandoned my studio practice and began to spend my art making time collecting digital snapshots anonymously from peer-to-peer file sharing networks. I can access the snapshots of thousands of people at a time all across the globe. These are images of people I know nothing about and cannot ever know personally - only look at. The network serves as both a barrier and a bridge – I can see photographic depictions of their lives but never actually know them, and the people depicted have no way of knowing me.
Out of tens of thousands of snapshots I look at, I select just a few and email them to professional painters living in China. They reproduce the image in oils and send the painting back to me. This process leaves me free to stay above the fray and focus strictly on editing the world as I see it. And by participating in the global economy in this manner, I feel that I am making art in a way that is in alignment with my time and place. I become a part of something much larger than myself. This process also removes me from the burden of craft, as the craft of the painters is consistently and reliably excellent. By only dealing with images of strangers, I am able to further remove myself from the standard autobiographical tropes of contemporary art, at least superficially."
Brendan Lott
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"These works began as an attempt to bring my practice in line with my life as a person living in 21st century America - wholly mediated, isolated, digital and decentralized and devoid of manual labor or craft. I have no direct input into the development or manufacture of any product I consume. I think this is wonderful. So I finally abandoned my studio practice and began to spend my art making time collecting digital snapshots anonymously from peer-to-peer file sharing networks. I can access the snapshots of thousands of people at a time all across the globe. These are images of people I know nothing about and cannot ever know personally - only look at. The network serves as both a barrier and a bridge – I can see photographic depictions of their lives but never actually know them, and the people depicted have no way of knowing me.
Out of tens of thousands of snapshots I look at, I select just a few and email them to professional painters living in China. They reproduce the image in oils and send the painting back to me. This process leaves me free to stay above the fray and focus strictly on editing the world as I see it. And by participating in the global economy in this manner, I feel that I am making art in a way that is in alignment with my time and place. I become a part of something much larger than myself. This process also removes me from the burden of craft, as the craft of the painters is consistently and reliably excellent. By only dealing with images of strangers, I am able to further remove myself from the standard autobiographical tropes of contemporary art, at least superficially."
Brendan Lott
.
A Stick to Hit the Devil
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By JX Williams
A collaborative piece with Terence Koh in the form of a double toilet cubicle, the adjoining wall faced in mirrored plexi, and joined by a gloryhole. The work is intended to have a (secret) performative aspect.
Part of the exhibit AA Bronson*School for Young Shamans curated by AA Bronson
VIDEO Art Talk with AA Bronson
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By JX Williams
A collaborative piece with Terence Koh in the form of a double toilet cubicle, the adjoining wall faced in mirrored plexi, and joined by a gloryhole. The work is intended to have a (secret) performative aspect.
Part of the exhibit AA Bronson*School for Young Shamans curated by AA Bronson
VIDEO Art Talk with AA Bronson
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A Spatial Dialogue
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Untitled (a spatial dialogue) In Hier en Nu / Ici Maintenant Tour & Taxis, Brussels (B) 2001, Site-specific installation By Tilman
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Untitled (a spatial dialogue) In Hier en Nu / Ici Maintenant Tour & Taxis, Brussels (B) 2001, Site-specific installation By Tilman
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Collective Monochrome 8
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As a part of an ongoing series visitors are asked to participate in the making of the CM 8 project work. They can add a layer of paint to the canvas supplied and leave their name and e-mail address on the record sheet. Blue paints are only used in this series so works relate to each other and an earlier trajectory; Kline, Palermo, Burn et al.
Billy Gruner at H29
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As a part of an ongoing series visitors are asked to participate in the making of the CM 8 project work. They can add a layer of paint to the canvas supplied and leave their name and e-mail address on the record sheet. Blue paints are only used in this series so works relate to each other and an earlier trajectory; Kline, Palermo, Burn et al.
Billy Gruner at H29
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Hallway Projects at Park Life
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Hallway Projects curates Park Life. San Francisco
More Here SOON
Chris Corales
Andrea Myers
Matthew Rich
Brion Nuda Rosch
Liz Walsh
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Hallway Projects curates Park Life. San Francisco
More Here SOON
Chris Corales
Andrea Myers
Matthew Rich
Brion Nuda Rosch
Liz Walsh
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UNproposal No Play
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Top. Alberto Giacometti
Middle. Isamu Noguchi
Bottom. From Plaster to Stone
More HERE about the UN Playground
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Top. Alberto Giacometti
Middle. Isamu Noguchi
Bottom. From Plaster to Stone
More HERE about the UN Playground
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